07
museum tourist: natural history museum, london
Tagged Under : birds, geology, museum
“The dinosaurs!” That’s what my boyfriend, who is British, told me I had to see at the Natural History Museum in London. So the museum and I sort of got off on the wrong foot when I discovered that the dinosaurs were all involved in some special exhibit that required payment. And I was feeling cheap. I was also feeling like a person who did not want to wait in a long line with a lot of excited children.
This may be unreasonable of me, since standing in a long line with a lot of excited children seems like it might be central to the NHM Experience. Now, to be fair, I was at the Natural History Museum during the August school holidays. And I also must point out that this museum, like all the museums I wanted to see in London, has free admission to most of the exhibits. That is pretty great. But I’d already had the line experience once, with about a 20-minute wait to get into the museum in the first place, so I decided to stick to the free parts of the museum.
The Natural History Museum has an astounding, late-19th-century building. It looks like this on the outside:
and like this on the inside:
That is the one and only dinosaur that was free to view. It’s a Diplodocus. Actually a cast of a Diplodocus, donated by Andrew Carnegie, who owned the original. (Read about it here.) The original is at the Carnegie Museum of Natural History in Pittsburgh.
My favorite object in the museum was this. Take a look. What do you think it is?
Looks kind of tree-like? Kind of pretty? Colorful? And a little bit spiky? And…like a Victorian chamber of horrors?
Yes, the case contains hundreds of hummingbirds mounted on branches among bits of lichen and nests. The label says they don’t know exactly where it came from, but this was the sort of thing Victorians went in for. It’s a way of thinking about nature where you appreciate it as things of beauty to be brought indoors and admired, not something you leave in its place for other people to enjoy. That’s a modern way of thinking, I suppose, and it’s probably a modern thing to feel sorry for the hummingbirds. I don’t really feel sorry for the hummingbirds as individuals. They would have died a long time ago anyway. But it’s a shame that they died just to be pretty in someone’s house.
I also enjoyed this intersection of earth and human life, from the earth sciences hall:
That’s a chunk of flint on the left and a paleolithic flint hand-axe on the right. This seems so delightfully English to me. Flint forms in chalk – and you know southern England has chalk, right? The white cliffs of Dover? Right. That’s chalk. The Cretaceous period gets its name from that layer of chalk. (The Latin word is “creta.”) And I like that they pair the chunk of flint with a real-life axe made more than 100,000 years ago. I know it’s the stereotype, that Americans go to Europe and are amazed at how old everything is, but, look. Everything there is OLD. It is really different. And totally cool.
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